"Frelseren er mig en hyrde god (A good shepherd is my Saviour)" by Niels La Cour, Trinitatis Kantori, Søren Christian Vestergaard was released on February 3, 2015. With Frelseren er mig en hyrde god (A good shepherd is my Saviour) being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Niels la Cour: Works for Choir & Organ". In this album, this song's track order is #19. In terms of popularity, Frelseren er mig en hyrde god (A good shepherd is my Saviour) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frelseren er mig en hyrde god (A good shepherd is my Saviour) by Niels La Cour, Trinitatis Kantori, Søren Christian Vestergaard having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Old Irish Blessing | Andrew Smith, Caritas Chamber Choir, Benedict Preece, Catherine Futcher | D Major | 1 | 10B | 87 BPM | ||
That Which Remains | Andrea Ramsey, BYU Concert Choir, Brent Wells | E Major | 1 | 12B | 79 BPM | ||
Way Up High in the Cherry Tree | Laestadian Lutheran Church, Kaitlyn Huhta, Liisa Keranen | B♭ Major | 1 | 6B | 66 BPM | ||
Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
Considering Matthew Shepard: Epilogue, 33. Cattle, Horses, Sky and Grass (Reprise) | Craig Hella Johnson, Conspirare | F Major | 0 | 7B | 112 BPM | ||
true love | Rebecca Dale, Ben Russell, Richard Harwood, Klara Romac, Tom Walley, Olivia Jageurs, Tenebrae, Nigel Short, Philharmonia Orchestra | G Major | 1 | 9B | 84 BPM | ||
Veni Veni Emmanuel | Monks Of The Abbey Of Notre Dame, Gregorian Chants | D♭ Minor | 0 | 12A | 122 BPM | ||
The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
Som forårssolen morgenrød (Påske) | Johann Peter Emilius Hartmann, Det kongelige danske Musikkonservatoriums Børnekor, Margrete Enevold | B♭ Major | 1 | 6B | 102 BPM | ||
Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus | Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum | B Major | 0 | 1B | 68 BPM |