Gaetano Donizetti, Valery Gergiev, Piotr Beczala, Ilya Bannik, Mariinsky Chorus, Mariinsky Orchestra made "Lucia di Lammermoor, Act III, Scene III: No. 15b Moderato "Tu che a Dio"" available on July 25, 2011. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 33 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Natalie Dessay, Valery Gergiev, Vladislav Sulimsky, Piotr Beczala, Ilya Bannik, Mariinsky Orchestra, Mariinsky Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Russia. Based on our statistics, Lucia di Lammermoor, Act III, Scene III: No. 15b Moderato "Tu che a Dio"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Lucia di Lammermoor, Act III, Scene III: No. 15b Moderato "Tu che a Dio" by Gaetano Donizetti, Valery Gergiev, Piotr Beczala, Ilya Bannik, Mariinsky Chorus, Mariinsky Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live | George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner | A Major | 2 | 11B | 131 BPM | ||
Così fan tutte, K. 588 / Act I: "La mia Dorabella" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 128 BPM | ||
La fille du régiment / Act 1: Le camarade est amoureux! | Gaetano Donizetti, Eric Garrett, Luciano Pavarotti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | D♭ Major | 1 | 3B | 89 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): Oh, meschina! Oh, fato orrendo! | Gaetano Donizetti, Giuseppe Di Stefano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | F Major | 2 | 7B | 80 BPM | ||
Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! | Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid | F♯ Major | 2 | 2B | 112 BPM | ||
La fille du régiment / Act 1: Pour une femme de mon nom, quel temps, hélas, le temps de guerre! | Gaetano Donizetti, Monica Sinclair, Alan Jones, Jules Bruyere, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 127 BPM | ||
Verdi- Messa Da Requiem- 1. Requiem - Original | Sir Georg Solti, Vienna Philharmonic Solti | A Major | 1 | 11B | 73 BPM | ||
La fille du régiment: Il faut partir | Gaetano Donizetti, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | F Minor | 1 | 4A | 70 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM |