"Schafe Konnen Sichercant Was Mir Behagt Bwv208" by Barbara Hendricks was released on March 3, 2003. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Barbara Hendricks's "la voix du ciel" album is number 3 out of 32. In terms of popularity, Schafe Konnen Sichercant Was Mir Behagt Bwv208 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schafe Konnen Sichercant Was Mir Behagt Bwv208 by Barbara Hendricks to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
Traditional: There's A Man Going "Round Taking Names" (Arr. Moses Hogan) | Traditional, Barbara Hendricks | D Major | 1 | 10B | 87 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Fix me, Jesus | Traditional, Barbara Hendricks | D Minor | 2 | 7A | 115 BPM | ||
Schubert: Wandrers Nachtlied, Op. 96 No. 3, D. 768 | Franz Schubert, Barbara Hendricks, Radu Lupu | A Major | 1 | 11B | 102 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b | Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon | D Major | 0 | 10B | 85 BPM | ||
Mirjam's Siegesgesang, D. 942: V. Tauchst du auf, Pharao? - Live | Franz Schubert, Barbara Hendricks, Collegiate Chorale, Anatol Ugorski | A Major | 6 | 11B | 105 BPM | ||
Bach, JS: Ich habe genug, BWV 82: No. 5, Aria. "Ich freue mich auf meinen Tod" | Johann Sebastian Bach, Barbara Hendricks, Peter Schreier, Carl Philipp Emanuel Bach Chamber Orchestra | G Major | 1 | 9B | 178 BPM | ||
Wolf: Mörike-Lieder, Volume 1: No. 12, Verborgenheit "Lass, o Welt, o lass" (Mässig und sehr innig) | Hugo Wolf, Barbara Hendricks | E♭ Major | 0 | 5B | 101 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM |