On 1987, the song "Swan Lake - Ballet, Op. 20 (Highlights) (1987 Digital Remaster), No. 13 - Danse des cygnes (Act II):: IV. Allegro moderato" was released by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra. With Swan Lake - Ballet, Op. 20 (Highlights) (1987 Digital Remaster), No. 13 - Danse des cygnes (Act II):: IV. Allegro moderato being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Tchaikovsky: Ballet Highlights". In this album, this song's track order is #3. In terms of popularity, Swan Lake - Ballet, Op. 20 (Highlights) (1987 Digital Remaster), No. 13 - Danse des cygnes (Act II):: IV. Allegro moderato is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Swan Lake - Ballet, Op. 20 (Highlights) (1987 Digital Remaster), No. 13 - Danse des cygnes (Act II):: IV. Allegro moderato by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Pt. 2: No. 44, Hallelujah! (Live) | George Frideric Handel, Baltimore Choral Arts Society, Baltimore Choral Arts Orchestra, Tom Hall | D Major | 3 | 10B | 105 BPM | ||
Swan Lake, Op. 20a: VII. Danse napolitaine | Radio Bratislava Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Le Beau Danube (The Blue/Beautiful Danube) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 0 | 8B | 86 BPM | ||
Løvenskiold: La Sylphide, Act 2: Finale (Andante - Allegro vivace ed agitato - Allegro con spirito) | Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | C Major | 3 | 8B | 140 BPM | ||
Giselle: Giselle's variation | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | B♭ Major | 1 | 6B | 133 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
The Nutcracker, Ballet Suite, Op. 71a: II. March | South German Philharmonic Orchestra | E Minor | 2 | 9A | 72 BPM | ||
In the Bleak Midwinter (Arr. Kanneh-Mason) | Gustav Holst, Sheku Kanneh-Mason, Isata Kanneh-Mason | F Major | 0 | 7B | 75 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM |