"Jeux D'enfants, After Janacek's Moravian Folksongs: I. -" by Gerard Krawczyk, Franck Krawczyk, Sinfonia Varsovia was released on February 9, 2009. With Jeux D'enfants, After Janacek's Moravian Folksongs: I. - being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 21 in Chants d'est (Sur le sentier recouvert) by Franck Krawczyk, Sonia Wieder-Atherton, Sinfonia Varsovia, Alexander Tcherepnin. Jeux D'enfants, After Janacek's Moravian Folksongs: I. - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jeux D'enfants, After Janacek's Moravian Folksongs: I. - by Gerard Krawczyk, Franck Krawczyk, Sinfonia Varsovia is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Mazurkas de Salon, Op. 10: No. 1, (Dans le lontain) | Eugène Ysaÿe, Philippe Graffin, Marisa Gupta, Jean-Jacques Kantorow, Royal Liverpool Philharmonic Orchestra | B♭ Minor | 0 | 3A | 137 BPM | ||
Atrinca | Orlando Cardozo, Latin Strings, Leonel Ortiz | D Minor | 4 | 7A | 97 BPM | ||
Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
Saxophone Quartet B Major, Op. 109: I. Allegro | Alexander Glazunov, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): IV. Polo | Manuel de Falla, Duo Arnicans | A Minor | 2 | 8A | 115 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: II. Andante | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | E Major | 0 | 12B | 86 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
Suite for Violin and Orchestra: I. Pastorale. Andante quasi Allegretto | Frederick Delius, Tasmin Little, Andrew Davis, BBC Philharmonic Orchestra | E♭ Major | 2 | 5B | 69 BPM | ||
Suite For Cello And Orchestra, Op. 16b, R. 211: 1. Prélude. Moderato assai | Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | D Minor | 0 | 7A | 96 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | D♭ Major | 1 | 3B | 63 BPM |