Georg Philipp Telemann, Paul Goodwin, Lorraine Wood, Sophia McKenna, Alberto Grazzi, The English Concert, Trevor Pinnock's 'Ouverture-Suite in C Major, TWV 55:C6: I. (Grave) - (Allegro)' came out on 1993. Ouverture-Suite in C Major, TWV 55:C6: I. (Grave) - (Allegro) is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Telemann: Suiten". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Ouverture-Suite in C Major, TWV 55:C6: I. (Grave) - (Allegro) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ouverture-Suite in C Major, TWV 55:C6: I. (Grave) - (Allegro) by Georg Philipp Telemann, Paul Goodwin, Lorraine Wood, Sophia McKenna, Alberto Grazzi, The English Concert, Trevor Pinnock having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Concerto In D Major, Op.26, No.6: 1. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 108 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Keyboard Sonata in E-Flat Major, F. 5: II. Largo | Wilhelm Friedemann Bach, Anthony Spiri | C Minor | 0 | 5A | 113 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM |