"Smávinir fagrir" by The Hamrahlíð Choir was released on January 1, 1988. The duration of Smávinir fagrir is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Smávinir fagrir's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Hamrahlíð Choir's "Kveðið í bjargi" album is number 4 out of 13. On top of that, Iceland appears to be the country where this track was created. In terms of popularity, Smávinir fagrir is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Smávinir fagrir by The Hamrahlíð Choir to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six sacred Songs after Poems of Joseph von Eichendorff: Nr. 1. Aufblick | Hugo Wolf, Chamber Choir of the Kreuzkirche Chemnitz | E Major | 2 | 12B | 135 BPM | ||
Hvíld | Hugi Guðmundsson, The Hamrahlíð Choir, Nordic Effect | F Major | 1 | 7B | 83 BPM | ||
Quia Viderunt Oculi Mei | Wayne Hubbard | A♭ Minor | 1 | 1A | 88 BPM | ||
Uti vår hage | Hugo Alfvén, Helsingborgs Kammarkör, Christian Schultze | F Minor | 1 | 4A | 129 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Händelusive - II - Gigue | Hugi Guðmundsson, The Hamrahlíð Choir, Nordic Effect | A Minor | 5 | 8A | 120 BPM | ||
Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
Lysthúskvæði | The Hamrahlíð Choir | E Minor | 0 | 9A | 129 BPM | ||
Motett, "Stilla komme och välkomna vare dagens slut och lön!" | Sara Wennerberg-Reuter, St. Pauli Vokalensemble | F Minor | 3 | 4A | 91 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM |