Giuseppe Verdi, Bernard Ładysz's 'Duet króla Filipa i Wielkiego Inkwizytora z III aktu opery Don Carlos' had a release date set for October 14, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wielkie interpretacje by Bernard Ładysz. The song's track number on the album is #4 out of 48 tracks. Duet króla Filipa i Wielkiego Inkwizytora z III aktu opery Don Carlos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Duet króla Filipa i Wielkiego Inkwizytora z III aktu opery Don Carlos by Giuseppe Verdi, Bernard Ładysz has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Duet króla Filipa i Wielkiego Inkwizytora z III aktu opery Don Carlos being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | F Major | 2 | 7B | 83 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
La traviata / Act 1: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A♭ Major | 4 | 4B | 103 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 2: Scène. Moderato | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | E Minor | 2 | 9A | 87 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Il Trovatore / Act 3: "Ah sì ben mio" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 78 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM |