"Gloria: Gloria in excelsis Deo" by Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on February 1, 2021. The duration of Gloria: Gloria in excelsis Deo is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Gloria: Gloria in excelsis Deo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 350 in the song's album "The History of Classical Music - Vivaldi". In this album, this song's track order is #350. Furthermore, we believe that the track originated from United Kingdom. Gloria: Gloria in excelsis Deo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gloria: Gloria in excelsis Deo by Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Pange lingua, WAB 33 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | A Minor | 0 | 8A | 79 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Tito Manlio, RV 778, Act I: Combatta un gentil cor | Antonio Vivaldi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 2 | 1B | 108 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Komm, Jesu, komm, BWV 229 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 1 | 11A | 131 BPM | ||
Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: XI. Quoniam tu solus Sanctus | Antonio Vivaldi, David Reichenberg, Crispian Steele-Perkins, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 2 | 8B | 101 BPM |