Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba's 'Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo' came out on December 3, 2021. The duration of Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 50 in Donizetti: Linda di Chamounix, A. 62 by Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Francesco Demuro, Orchestra del Maggio Musicale Fiorentino, Michele Gamba. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo by Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 1 "A moi les plaisirs" [Faust, Méphistophélès] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E Major | 1 | 12B | 89 BPM | ||
Pagliacci: Act I: Vesti la Giubba | Franco Corelli, Ruggero Leoncavallo, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | G Major | 7 | 9B | 102 BPM | ||
Tosca / Act 2: "Orsù, Tosca, parlate...Mario, consenti ch'io parli?" | Giacomo Puccini, Giuseppe Taddei, Leontyne Price, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 98 BPM | ||
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM | ||
Leoncavallo: La bohème: "Musette svaria sulla bocca viva" | Ruggero Leoncavallo, Ermonela Jaho, Andrea Battistoni, Orquestra de la Comunitat Valenciana | G Major | 0 | 9B | 82 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM |