"Zahořanský hon: "Zastaveníčko letní noci"" by Jaroslav Kricka, Vratislav Kadlec, Dvořák Chamber Orchestra, Miroslav Homolka was released on August 28, 2010. The duration of Zahořanský hon: "Zastaveníčko letní noci" is about 3 minutes long, at 3:05. Based on our data, "Zahořanský hon: "Zastaveníčko letní noci"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Miroslav Homolka, Dvořák Chamber Orchestra's "Hvězdy se líbají. Česká opereta za války a po válce" album is number 11 out of 15. On top of that, Czechia appears to be the country where this track was created. The popularity of Zahořanský hon: "Zastaveníčko letní noci" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zahořanský hon: "Zastaveníčko letní noci" by Jaroslav Kricka, Vratislav Kadlec, Dvořák Chamber Orchestra, Miroslav Homolka to be Presto (very, very fast) because the track has a tempo of 178 テンポ, a half-time of 89テンポ, and a double-time of 356 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Severní noci, Op. 14: I. Albatros | Jaroslav Kricka, Konstantin Balmont, Věra Soukupová, Zdeněk Košler, Czech Philharmonic Orchestra | C Minor | 1 | 5A | 75 BPM | ||
Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
Forkladd gud (The Disguised God), Op. 24: Vad faller över träden … (What kind of silver glow …) (Soprano, Chorus) | Hillevi Martinpelto, Karl-Magnus Fredriksson, Gustaf Sjökvists Kammarkör, Bjorn Granath, Royal Stockholm Philharmonic Orchestra, Gustaf Sjokvist | G Major | 2 | 9B | 96 BPM | ||
Aida / Act 1: Possente, possente Fthà | Giuseppe Verdi, Lucia Valentini Terrani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
None But the Lonely Heart, Op. 6 No. 6 | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg Boshniakovich | D♭ Major | 0 | 3B | 93 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | D Major | 2 | 10B | 86 BPM | ||
Caro Mio Bene | Tomasso Giordani, Sir Neville Marriner, Academy of St. Martin in the Fields, Michele Esposito | E♭ Major | 0 | 5B | 103 BPM | ||
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
A Safe Stronghold Our God Is Still (Ein Feste Burg) | Amici forever | E♭ Major | 2 | 5B | 119 BPM | ||
Madrigal Madrigal | Channing Geoffrey | E Minor | 2 | 9A | 107 BPM |