Jacques Ibert, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz's 'Concertino da camera for Alto Saxophone and 11 Instruments: 1. Allegro con moto' came out on January 1, 1972. With this song being about 5 minutes long, at 4:31, "Concertino da camera for Alto Saxophone and 11 Instruments: 1. Allegro con moto" by Jacques Ibert, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Eugene Rousseau, Paul Kuentz Chamber Orchestra, Paul Kuentz's "Ibert / Glazunov / Villa-Lobos / Dubois: Saxophone Concertos" album is number 1 out of 9. In terms of popularity, Concertino da camera for Alto Saxophone and 11 Instruments: 1. Allegro con moto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concertino da camera for Alto Saxophone and 11 Instruments: 1. Allegro con moto by Jacques Ibert, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | ||
Nocturne in 3 Scenes, Op. 72: I. Tahdet tuikkivat (The Stars are Twinkling) | Selim Palmgren, Risto Lauriala | D♭ Major | 1 | 3B | 102 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM | ||
La Fille aux cheveux de lin, L. 117 | Lavinia Meijer | E♭ Minor | 0 | 2A | 49 BPM |