"Arlesiana, Tito Gobbi: Act I - " Come due tizzi accesi"" by Tito Gobbi was released on November 30, 2010. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #5. Arlesiana, Tito Gobbi: Act I - " Come due tizzi accesi" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arlesiana, Tito Gobbi: Act I - " Come due tizzi accesi" by Tito Gobbi having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 Digital Remaster): Sinfonia ( Orchestra) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 141 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Santa Lucia luntana (Arr. Chiaramello) | Ermes Alessandro Mario, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Major | 2 | 12B | 102 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Rigoletto, Act II: Compiuto pur quanto (Rigoletto/Gilda/Usciere/Monterone) | Giuseppe Verdi, Tito Gobbi, Maria Callas, Vittorio Tatozzi, Plinio Clabassi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A♭ Major | 3 | 4B | 108 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Sconsigliato! In questa portachi ti guida?" (Enrico, Edgardo, Raimondo, Lucia, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Lehár / Arr Schifrin: Around the World Part 8: Die Lustige Witwe (The Merry Widow) - 'Lippen Schweigen' | Franz Lehár, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 2 | 9B | 77 BPM | ||
La vita è bella | Nicola Piovani, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 131 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM |