"Violin Concerto in C Major, Op. 7 No. 3: II. Adagio" by Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel was released on January 3, 2020. Violin Concerto in C Major, Op. 7 No. 3: II. Adagio is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The track order of this song in Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel's "Leclair: Violin Concertos, Vol. 2" album is number 11 out of 12. Based on our statistics, Violin Concerto in C Major, Op. 7 No. 3: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto in C Major, Op. 7 No. 3: II. Adagio by Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 104 BPM | ||
Partie 3 en mi bémol majeur: Allemand | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | D Major | 1 | 10B | 121 BPM | ||
Sonate concertate in stil moderno, Book 2: No. 10, Sonata à 3 | Dario Castello, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
Ouverture in E Minor, TWV 55:e1: III. Rondeau | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | F♯ Major | 0 | 2B | 149 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Flute Concerto in G Major, QV 5:165: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 68 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Flute Concerto in G Major: III. Allegro assai | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 2 | 9B | 127 BPM |