Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being about 5 minutes long, at 4:45, "Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #170 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, FP 148: 12. Quando corpus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 1 | 1A | 94 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
O Del Mio Amato Ben | Gwyn Hughes Jones | A♭ Major | 1 | 4B | 134 BPM | ||
Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | F Major | 0 | 7B | 64 BPM | ||
Kapitel 54.5 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | F♯ Major | 2 | 2B | 69 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Kapitel 84.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | B Minor | 2 | 10A | 81 BPM | ||
「3つのシェイクスピアの歌」Op.6 第1曲 来たれ 死よ | ロジャー・クィルター, 上村誠一, 松下倫士 | C Minor | 0 | 5A | 69 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Qual vita e questa mai" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM |