Eric Schmidt, Jonathan Rosenberg made "Kapitel 84.2 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #119 out of 137 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 84.2 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 84.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 84.2 - Wie Google tickt - How Google Works being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: 2. Offertorium: Domine Jesu Christe | Gabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt | F♯ Minor | 3 | 11A | 115 BPM | ||
Singet dem Herrn ein neues Lied, BWV 190: I. Singet dem Herrn ein neues Lied | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 113 BPM | ||
Forkladd gud, Op. 24: Kring hostlig vaktelds brander | Lars-Erik Larsson, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 2 | 5B | 115 BPM | ||
Petite messe solennelle: Quoniam | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Alexander Vinogradov | A Major | 2 | 11B | 124 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
The Pirates of Penzance: Climbing Over Rocky Mountain | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
Messe G-Dur D 167 - Ferdinand Schubert Fassung: Credo | Franz Schubert, Chor und Orchester von St. Augustin | B♭ Major | 0 | 6B | 87 BPM | ||
Cavalleria Rusticana: Intermezzo Sinfonico | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock | E♭ Major | 1 | 5B | 76 BPM | ||
Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra, Judith Blegen | G Major | 2 | 9B | 121 BPM |