London Symphony Orchestra, Julian Armstrong's 'Symphony No.4 in A major "Italian": III. Con moto moderato' came out on November 27, 2011. Since Symphony No.4 in A major "Italian": III. Con moto moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 1-2-3 - Greatest Symphonies, so we believe that "Symphony No.4 in A major "Italian": III. Con moto moderato" is a single. In terms of popularity, Symphony No.4 in A major "Italian": III. Con moto moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.4 in A major "Italian": III. Con moto moderato by London Symphony Orchestra, Julian Armstrong is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Define Dancing | Thomas Newman | D♭ Major | 4 | 3B | 99 BPM | ||
Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | B Minor | 1 | 10A | 62 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
The Gadfly Suite, Op. 97a: I. Overture | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A♭ Major | 2 | 4B | 190 BPM | ||
Metropolis: I. Auftakt: Metropolis Thema | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 4 | 9A | 0 BPM | ||
Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM | ||
Symphony No.6 in F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | C Major | 2 | 8B | 118 BPM | ||
Very Old Friends | Howard Shore | G Major | 0 | 9B | 76 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Jyn Erso & Hope Suite | Michael Giacchino | G Major | 1 | 9B | 72 BPM |