Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #40 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google Works being at 67 テンポ, the half-time would be 34 テンポ with a double-time of 134 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: V. Fecit potentiam | Carl Philipp Emanuel Bach, Geraint Jones, Thomas Hemsley, Geraint Jones Orchestra | E Major | 1 | 12B | 147 BPM | ||
Kapitel 50.2 & Kapitel 51.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A Major | 2 | 11B | 82 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Brahm's Lullaby | Cheri Rose Katz | D Minor | 1 | 7A | 112 BPM | ||
Kapitel 3.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A Major | 2 | 11B | 125 BPM | ||
Hidden Faces | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace | D♭ Major | 2 | 3B | 93 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace - Remastered 2024 | Wolfgang Amadeus Mozart, Anton Dermota, Karl Böhm, Wiener Philharmoniker | B♭ Major | 1 | 6B | 96 BPM | ||
Te Deum in C Major, WAB 45: 4. Salvum fac | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | F Minor | 0 | 4A | 68 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM |