Athanasius Kircher, Lutz Kirchhof made "Musical cure against the poison of the tarantula (Tarantella)" available on February 29, 2000. With Musical cure against the poison of the tarantula (Tarantella) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lutz Kirchhof's "Lute Music for Witches and Alchemists" album is number 7 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, Musical cure against the poison of the tarantula (Tarantella) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Musical cure against the poison of the tarantula (Tarantella) by Athanasius Kircher, Lutz Kirchhof to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor: II. Paduan | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 1 | 12A | 127 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IV. [Solo-Andante] | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 102 BPM | ||
Suite in G Major: VI. Chaconne | Robert de Visée, Yasunori Imamura | F Major | 1 | 7B | 117 BPM | ||
Courante | David Kellner, Lutz Kirchhof | D♭ Major | 1 | 3B | 155 BPM | ||
Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 1 | 11A | 94 BPM | ||
Branles de village | Robert Ballard, Massimo Marchese | C Major | 1 | 8B | 94 BPM | ||
Allemande | François Dufaut, Bertrand de Bacilly, Ensemble A Deux Violes Esgales | A Major | 0 | 11B | 109 BPM | ||
Cromatica corrente | Bellerofonte Castaldi, Bor Zuljan | A Minor | 2 | 8A | 137 BPM | ||
Muzette in A major | Robert de Visée, Lutz Kirchhof | A♭ Major | 1 | 4B | 74 BPM | ||
Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM |