"Piano Sonata No. 26 in E flat major, Op. 81a "Les Adieux"" by Claudio Arrau was released on August 28, 2012. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Virtuoso Piano Collection by Claudio Arrau. The song's track number on the album is #21 out of 135 tracks. In terms of popularity, Piano Sonata No. 26 in E flat major, Op. 81a "Les Adieux" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Piano Sonata No. 26 in E flat major, Op. 81a "Les Adieux" by Claudio Arrau has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Piano Sonata No. 26 in E flat major, Op. 81a "Les Adieux" being at 99 テンポ, the half-time would be 50 テンポ with a double-time of 198 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite española No. 1, Op. 47: Granada (Serenata) | Isaac Albéniz, Alicia de Larrocha | F Major | 0 | 7B | 63 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 1 | 11B | 109 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Intermezzi, Op. 117: 2. In B-Flat Minor | Johannes Brahms, Radu Lupu | B♭ Minor | 0 | 3A | 70 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 72 BPM | ||
Partita No. 1 in B flat, BWV 825: 7. Giga | Johann Sebastian Bach, Claudio Arrau | A♭ Minor | 0 | 1A | 72 BPM | ||
Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Beatrice Rauchs | D Major | 1 | 10B | 78 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 1. Presto | Franz Joseph Haydn, Alfred Brendel | E Minor | 2 | 9A | 140 BPM |