"Suite española No. 1, Op. 47: Granada (Serenata)" by Isaac Albéniz, Alicia de Larrocha was released on February 19, 1988. With this song being about 5 minutes long, at 5:02, "Suite española No. 1, Op. 47: Granada (Serenata)" by Isaac Albéniz, Alicia de Larrocha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 21 in Albéniz: Ibéria; Navarra; Suite Española by Isaac Albéniz, Alicia de Larrocha. Suite española No. 1, Op. 47: Granada (Serenata) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite española No. 1, Op. 47: Granada (Serenata) by Isaac Albéniz, Alicia de Larrocha is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Iberia "Suite pour orchestre": No. 2, Fête-dieu à Séville | Isaac Albéniz, Enrique Fernández Arbós, Orquesta De Valencia, Manuel Galduf, Enrique Perez de Guzman | B Minor | 2 | 10A | 78 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Rodrigo: Concierto de Aranjuez: III. Allegro gentile | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Major | 2 | 10B | 160 BPM | ||
Sonata in E Major, K. 380 (L. 23) | Domenico Scarlatti, Leon Fleisher | E Major | 1 | 12B | 93 BPM | ||
Danzas Españolas, Op. 37: V. Andaluza | Enrique Granados, Alicia de Larrocha | E Major | 0 | 12B | 167 BPM |