Louis Couperin, Massimo Berghella's 'Harpsichord Suite No. 1 in G Minor: XCVII. Sarabande' came out on June 30, 2023. The duration of Harpsichord Suite No. 1 in G Minor: XCVII. Sarabande is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Harpsichord Suite No. 1 in G Minor: XCVII. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Harpsichord Suite No. 1 in G Minor: XCVII. Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harpsichord Suite No. 1 in G Minor: XCVII. Sarabande by Louis Couperin, Massimo Berghella is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Suite No. 12 in C Major, FbWV 612: I. Allemande: Lamento sopra la dolorosa oerdita della Real Msta di Ferdinando IV, Re de Romani | Johann Jakob Froberger, Władysław Kłosiewicz | F♯ Major | 1 | 2B | 143 BPM | ||
Keyboard Sonata No. 24 in D Minor: Allegro | Carlos Seixas, Débora Halász | C Minor | 4 | 5A | 78 BPM | ||
Harpsichord Suite No. 3 in A Minor: I. Prelude | Élisabeth Jacquet de La Guerre, Daniela Dolci | A♭ Major | 2 | 4B | 76 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: I. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 95 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM |