Edvard Grieg, Libor Pešek, Slovac Philharmony's 'Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song' came out on January 1, 2009. With this song being about 5 minutes long, at 5:26, "Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song" by Edvard Grieg, Libor Pešek, Slovac Philharmony is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Libor Pešek, Slovac Philharmony's "Grieg Piano Concerto - Peer Gynt - Holberg Suite" album is number 11 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song by Edvard Grieg, Libor Pešek, Slovac Philharmony to be Allegro (fast, quick, and bright) because the track has a tempo of 144 テンポ, a half-time of 72テンポ, and a double-time of 288 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet No. 17 in A Major, Op. 13, No. 5, G. 281: III. Menuet | Luigi Boccherini, Quintetto Boccherini | A Major | 0 | 11B | 88 BPM | ||
Carmen Fantasy, Op. 25: II. Moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | F Major | 1 | 7B | 77 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
Konzert für Mandoline und Streicher in C Major, RV 425: I. Allegro | Budapest Strings, Béla Bánfalvi, Mandoline, Lajos Mayer | C Major | 3 | 8B | 85 BPM | ||
Concerto In A Minor, RV 356: 1. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | A Minor | 3 | 8A | 123 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) | Claude Debussy, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D♭ Major | 2 | 3B | 86 BPM | ||
Piano Sonata No. 8 In C Minor Op. 13 - Pathétique - II. Adagio cantabile | The Jane Austen Era | A♭ Major | 0 | 4B | 108 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 3 | 12B | 133 BPM | ||
Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Lise de la Salle | G Major | 0 | 9B | 171 BPM |