"Arabesques, Op. 42: I. The Isle of Elephantine" by Leo Ornstein, Marc-André Hamelin had its release date on August 1, 2002. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leo Ornstein, Marc-André Hamelin's "Leo Ornstein: Piano Music" album is number 14 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Arabesques, Op. 42: I. The Isle of Elephantine is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Arabesques, Op. 42: I. The Isle of Elephantine by Leo Ornstein, Marc-André Hamelin to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Caixinha de música quebrada, W256 | Heitor Villa-Lobos, Cristina Ortiz | A♭ Major | 1 | 4B | 45 BPM | ||
Quartet No. 1 in D minor, Op. 4: 2. Allegro con fuoco | Joly Braga Santos, Quarteto Tejo | A Minor | 3 | 8A | 94 BPM | ||
Po zarostlém chodníčku - Series I: V. Štěbetaly jak laštovičky | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Suite sur des mélodies populaires grecques du Dodécanèse: I. Air de Karpathos | Yannis Constantinidis, Danae Papamattheou-Matschke, Uwe Matschke | A Minor | 1 | 8A | 83 BPM | ||
Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 89 BPM | ||
Cavalleria rusticana: Preludio - Intermezzo | Yoko Ara, Takehiko Yamada | G Major | 1 | 9B | 92 BPM | ||
Intermezzos, Op. 117: No. 1 in E-Flat Major. Andante moderato | Johannes Brahms, Garrick Ohlsson | A♭ Major | 0 | 4B | 138 BPM | ||
Sonata No. 2 op. 36 in B flat Minor (First Version, 1913): III. Allegro molto | Sergei Rachmaninoff, Alessandro Mazzamuto | B♭ Major | 1 | 6B | 67 BPM |