François Couperin, Angela Hewitt made "Pièces de clavecin, Livre III, Ordre 18: VI. Le Tic-Toc-Choc ou les Maillotins" available on March 1, 2003. The duration of Pièces de clavecin, Livre III, Ordre 18: VI. Le Tic-Toc-Choc ou les Maillotins is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Pièces de clavecin, Livre III, Ordre 18: VI. Le Tic-Toc-Choc ou les Maillotins's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 25 in François Couperin: キーboard Music, Vol. 1 by François Couperin, Angela Hewitt. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Pièces de clavecin, Livre III, Ordre 18: VI. Le Tic-Toc-Choc ou les Maillotins's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Pièces de clavecin, Livre III, Ordre 18: VI. Le Tic-Toc-Choc ou les Maillotins by François Couperin, Angela Hewitt is Allegro (fast, quick, and bright), since this song has a tempo of 150 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Cello Concerto in C Major, RV 398: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | A Minor | 0 | 8A | 115 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Andante soave | Fanny Mendelssohn, Beatrice Rauchs | E♭ Major | 0 | 5B | 69 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Menuets I & II | Jean-Philippe Rameau, Víkingur Ólafsson | G Major | 1 | 9B | 79 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Schubert: Waltz in G-Flat Major, D. Anh. I/14, "Kupelwieser Walzer" | Franz Schubert, Mariam Batsashvili | D Major | 1 | 10B | 126 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM |