François Couperin, Jordi Savall's 'Concert insrumental sous le titre d'Apothéose pour l'incomprable M. de Lully: Second Air. Corelli‚ jouant le Sujet à son tour, que Lully accompagne.' came out on October 22, 2021. The duration of Concert insrumental sous le titre d'Apothéose pour l'incomprable M. de Lully: Second Air. Corelli‚ jouant le Sujet à son tour, que Lully accompagne. is about 3 minutes long, at 3:29. Based on our data, "Concert insrumental sous le titre d'Apothéose pour l'incomprable M. de Lully: Second Air. Corelli‚ jouant le Sujet à son tour, que Lully accompagne." appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 20 in François Couperin: Les Apothéoses by François Couperin, Jordi Savall. Concert insrumental sous le titre d'Apothéose pour l'incomprable M. de Lully: Second Air. Corelli‚ jouant le Sujet à son tour, que Lully accompagne. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concert insrumental sous le titre d'Apothéose pour l'incomprable M. de Lully: Second Air. Corelli‚ jouant le Sujet à son tour, que Lully accompagne. by François Couperin, Jordi Savall is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
La Couperin: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 120 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Les Nations - Second Ordre - L'Espagnole; 1. Sonade | Jordi Savall, François Couperin | B Minor | 2 | 10A | 104 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM |