Arturo Buzzi-Peccia, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine made "Lolita - Live" available on January 1, 2007. The duration of Lolita - Live is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Lolita - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Three Tenors - Paris 1998". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Lolita - Live is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Lolita - Live by Arturo Buzzi-Peccia, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse | A Minor | 3 | 8A | 84 BPM | ||
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM | ||
Pagliacci / Act 2: "Arlecchin! Colombina!" - "Prendi questo narcotico" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 124 BPM | ||
Turandot - Nesum dorma | Virtuosi Di Praga, Alberto Jelmoni | D Major | 2 | 10B | 79 BPM | ||
Lolita | Arturo Buzzi-Peccia, Leo Nucci, Amici Musicisti, Paolo Marcarini | D Major | 5 | 10B | 140 BPM | ||
Lolita, Serenata spagnola | Arturo Buzzi-Peccia, Fuoco e Cenere, Jay Bernfeld, Mathieu Abelli, Patricia Lavail, André Heinrich, Anne Maurette, Caroline Howard, Pierre Rigopoulos | D♭ Major | 1 | 3B | 74 BPM | ||
Samson et Dalila / Act 2: Mon coeur s'ouvre ta voix | Camille Saint-Saëns, Katherine Jenkins, Anthony Ingliss, The Prague Symphonia | D♭ Major | 3 | 3B | 55 BPM | ||
Marechiare | Francesco Paolo Tosti, Arturo Buzzi-Peccia, Claude Aveline, Alfie Boe, Royal Philharmonic Orchestra, Valeriano Chiaravalle | G Minor | 3 | 6A | 131 BPM | ||
La rosa y el sauce | Carlos Antonio Guastavino, Anna Netrebko | F♯ Minor | 1 | 11A | 81 BPM | ||
Mal d'amore | Arturo Buzzi-Peccia, Petre Munteanu | D Major | 1 | 10B | 86 BPM |