Gidon Kremer, Alois Posch, Julia Zenko, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov's 'Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María)' came out on February 16, 1998. The duration of Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María) is about 3 minutes long, at 3:24. Based on our data, "Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Piazzolla: Maria de Buenos Aires". In this album, this song's track order is #4. Based on our statistics, Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María) by Gidon Kremer, Alois Posch, Julia Zenko, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov having a テンポ of 146 with a half-time of 73 テンポ and a double-time of 292 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Garrapatea | Melingo | A Minor | 3 | 8A | 100 BPM | ||
Carmen's Shadow | Georges Bizet, Ksenija Sidorova | D Minor | 3 | 7A | 104 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 78 BPM | ||
Jalousie – Tango Tsigane | Jacob Gade, Con Sordino | D Major | 1 | 10B | 143 BPM | ||
Dzovarev | Ara Malikian, La Orquesta en el Tejado | A Minor | 1 | 8A | 173 BPM | ||
Klezmer Dance No. 2 | Göran Fröst, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 2 | 7A | 87 BPM | ||
Bohemian Rhapsody - Philharmonix Version | Philharmonix | B♭ Major | 2 | 6B | 94 BPM | ||
Martynov: "Come in!", Movement IV | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 115 BPM | ||
Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
Tango A Mi Padre | Dino Saluzzi, Anja Lechner | G Major | 0 | 9B | 100 BPM |