Georges Bizet, Ksenija Sidorova's 'Carmen's Shadow' came out on June 3, 2016. With Carmen's Shadow being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 17 in Carmen by Georges Bizet, Ksenija Sidorova, Michael Abramovich, Reentko, Itamar Doari, Nuevo Mundo, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen's Shadow is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen's Shadow by Georges Bizet, Ksenija Sidorova is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paganini-Jazz for Piano (Arr. for Jazz Quartet) | Fazıl Say, Niklas Liepe | A Minor | 2 | 8A | 131 BPM | ||
Csárdás | Vittorio Monti, Alexander Boldachev, Alexander Kuznetsov | D Major | 3 | 10B | 169 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Espana, Op. 165: No. 2, Tango | Isaac Albéniz, Gerald Fauth, Katrin Scholz, Fritz Kreisler | D Major | 1 | 10B | 170 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 92 BPM | ||
Menuet in E-Flat Major | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 74 BPM |