Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose)

Georges Bizet, Giulietta Simionato, Rosanna Carteri, Giuseppe Di Stefano, Michel Roux, Graziella Sciutti, Luisa Ribacchi, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, The Audience, Herbert von Karajan
Bizet: Carmen, WD 31 (Recorded 1952)
4:07 2014年8月1日
テンポ
62
キー
C Minor
キャメロットミュージックキー
5A

リンクを埋め込む

共有

Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose) - Georges Bizet, Giulietta Simionato, Rosanna Carteri, Giuseppe Di Stefano, Michel Roux, Graziella Sciutti, Luisa Ribacchi, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, The Audience, Herbert von Karajan 情報

音響性
99%
ダンサビリティ
37%
エネルギー
27%
手段性
0%
活気
10%
ラウドネス
77%
話し言葉
9%
価数
15%
人気
ラウドネス
-13.755 dB

まとめ

"Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose)" by Georges Bizet, Giulietta Simionato, Rosanna Carteri, Giuseppe Di Stefano, Michel Roux, Graziella Sciutti, Luisa Ribacchi, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, The Audience, Herbert von Karajan was released on August 1, 2014. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 42 in Bizet: Carmen, WD 31 (Recorded 1952) by Georges Bizet, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose) テンポ

The tempo marking of Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose) by Georges Bizet, Giulietta Simionato, Rosanna Carteri, Giuseppe Di Stefano, Michel Roux, Graziella Sciutti, Luisa Ribacchi, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, The Audience, Herbert von Karajan is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose) キー

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Sinfonia in C major, RV 112: II. Andante by Karoly BotvaySinfonia in C major, RV 112: II. AndanteKaroly BotvayC Minor15A112 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles DutoitG Major39B150 BPM
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace by Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserViolin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivaceJohannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserF Major17B91 BPM
St. Matthew Passion, BWV 244 / Part Two: St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg SoltiB Minor110A93 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): V. La garde montanteGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
Carmen, WD 31, Act II: Gypsy Song. Les tringles des sistres tintaient (Carmen, Fasquita, Zuniga, Mercedes) by Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's ChoirCarmen, WD 31, Act II: Gypsy Song. Les tringles des sistres tintaient (Carmen, Fasquita, Zuniga, Mercedes)Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's ChoirF Major27B108 BPM
Piano Sonata No. 17 in D Minor, Op. 31, No. 2, Piano Sonata No. 17 in D Minor, Op. 31, No. 2, "Tempest": III. AllegrettoLudwig van Beethoven, Jenő JandóG Minor16A123 BPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbatHector Berlioz, London Symphony Orchestra, Sir Colin DavisC Minor15A60 BPM
Jazz Suite No. 2: VIII. Finale by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyJazz Suite No. 2: VIII. FinaleDmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyF Major47B141 BPM
Der Freischütz, J. 277 / Act I: Walzer by Carl Maria von Weber, Staatskapelle Dresden, Carlos KleiberDer Freischütz, J. 277 / Act I: WalzerCarl Maria von Weber, Staatskapelle Dresden, Carlos KleiberA Major411B182 BPM
ISRC
USB8U1083486
レコードレーベル
L-M Records/RCA Records