On January 1, 1988, the song "Scarlatti, D: キーboard Sonata in D Minor, Kk. 1" was released by Domenico Scarlatti, Scott Ross. The duration of Scarlatti, D: キーboard Sonata in D Minor, Kk. 1 is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Scarlatti, D: キーboard Sonata in D Minor, Kk. 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Scarlatti: The Complete キーboard Works, Vol. 1: Sonatas, Kk. 1 - 30 "Essercizi"". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Scarlatti, D: キーboard Sonata in D Minor, Kk. 1 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Scarlatti, D: キーboard Sonata in D Minor, Kk. 1 by Domenico Scarlatti, Scott Ross having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Sonata in D Major, No. 1: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | D♭ Major | 2 | 3B | 109 BPM | ||
The Indian Queen, Z. 630, Act 4: They Tell Us That Your Mighty Powers (Arr. for baroque orchestra and saxophone) | Henry Purcell, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | E Minor | 0 | 9A | 135 BPM | ||
Concerto in F Major, HWV 334: II. Allegro | George Frideric Handel, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 2 | 12B | 130 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Suite in d minor - Allemande la Loureuse | Hanneke van Proosdij | C Major | 1 | 8B | 105 BPM | ||
Minuet in C-Sharp Minor, D. 600 with Trio in E Major, D. 610 | Franz Schubert, Arcadi Volodos | F♯ Minor | 0 | 11A | 51 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": II. Aria allegro - Variations - III. Finale | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 2 | 12A | 112 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM |