César Cui, Jouni Somero's '25 Preludes, Op. 64: No. 4 in B Minor' had a release date set for January 4, 2019. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. 25 Preludes, Op. 64: No. 4 in B Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 25 in Cui: 25 Preludes, Op. 64 by César Cui, Jouni Somero. 25 Preludes, Op. 64: No. 4 in B Minor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Preludes, Op. 64: No. 4 in B Minor by César Cui, Jouni Somero is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebeslied (arr. for viola and piano) | Fritz Kreisler, Luigi Alberto Bianchi, Bruno Canino | A Major | 1 | 11B | 74 BPM | ||
Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 91 BPM | ||
Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | ||
Trois pièces: Toccata | Francis Poulenc, Alexandre Tharaud | A Minor | 2 | 8A | 73 BPM | ||
4 Light Pieces: No. 2, Berceuse | Vissarion Shebalin, Sergey Kostylev, Olga Solovieva | C Major | 0 | 8B | 111 BPM | ||
La séparation "Nocturne in F Minor": La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | ||
8 pièces brèves, Op.84: 5. Improvisation in C sharp minor | Gabriel Fauré, Kun-Woo Paik | D♭ Major | 0 | 3B | 74 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM |