"Wo berg ich mich? (Euryanthe)" by Friedrich Schorr was released on September 1, 2006. Since Wo berg ich mich? (Euryanthe) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 5 out of 16. In terms of popularity, Wo berg ich mich? (Euryanthe) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wo berg ich mich? (Euryanthe) by Friedrich Schorr to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore, Act I: Una parola | Gaetano Donizetti, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 4 | 6B | 121 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
L'elisir d'amore, Act I: Chiedi all'aura | Gaetano Donizetti, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Der Rosenkavalier, zweiter Akt: Ich kenn'ihn schon recht wohl | Lotte Lehmann, Kerstin Thorborg, Emanuel List, Friedrich Schorr, Susanne Fisher, Dorothea Manski, Nicolas Massue, Doris Doe, Hans Clemens, Karl Laufk, Max Altglass, Arnold Gabor, Thelma Votipka, Norman Cordon, Artur Bodanzky, Chor der Metropolitan Opera New York, Orchester der Metropolitan Opera New York | G Minor | 4 | 6A | 133 BPM | ||
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM | ||
La Fanciulla del West / Act 1: Un poker? Nick, gettoni! | Giacomo Puccini, Sherrill Milnes, Robert Lloyd, Jonathan Summers, John Dobson, Tom McDonnell, Paul Crook, Robin Leggate, William Elvin, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | C Major | 1 | 8B | 78 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Am Meer | Richard Jäger, Friedrich Schorr | A Major | 2 | 11B | 87 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
Lohengrin, Act I Scene 2: Act I Scene 2: Des Ritters will ich wahren (Elsa, Chorus, Heinrich, Friedrich) | Richard Wagner, Emanuel List, Lauritz Melchior, Lotte Lehmann, Friedrich Schorr, Marjorie Lawrence, Julius Huehn, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Artur Bodanzky | G Major | 0 | 9B | 84 BPM |