Sholom Secunda, Sirba Octet's 'Bei Mir bist du Scheyn' came out on December 13, 2010. Bei Mir bist du Scheyn is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. This song is part of Yiddish Festival (A Yiddishe Mame, Du Shtetl à New York, Yiddish Rhapsody) by Sirba Octet. The song's track number on the album is #10 out of 37 tracks. In terms of popularity, Bei Mir bist du Scheyn is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Bei Mir bist du Scheyn by Sholom Secunda, Sirba Octet has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Bei Mir bist du Scheyn being at 112 テンポ, the half-time would be 56 テンポ with a double-time of 224 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Léocadia, FP 106: No. 1, Les chemins de l'amour | Dilyana Georgieva, Galina Apostolova | D Major | 3 | 10B | 136 BPM | ||
V'chol ma'aminim | Sholom Secunda, Rachel Rosales, Susan Montgomery, Alexandra Montano, Kathy J. Barr, Phyllis Jo Kubey, Stephen Rosser, Frank Barr, Mark Duer, Wilbur Pauley, The Western Wind, Matthew Lazar, Phyllis Elaine Clark, Mary Ellen Callahan, William Zukof | B♭ Major | 2 | 6B | 101 BPM | ||
La Boheme, Act II: “Quando me’n vo” | Charlotte Hoather | E Major | 2 | 12B | 78 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 3: Duett: "Lippen schweigen" | Franz Lehár, Ingeborg Hallstein, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | G Major | 2 | 9B | 87 BPM | ||
To Treno Fevgi Stis Okto (The Train Leaves At Eight) | Agnes Baltsa | E Minor | 1 | 9A | 78 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Flatbush Waltz | The Jewish Starlight Orchestra | G Minor | 4 | 6A | 100 BPM | ||
Les Indes galantes, RCT 44, Act III: Danse du grand calumet de la paix en rondeau pour les sauvages | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 2 | 11A | 97 BPM | ||
Valse de l’Eden Cinéma [Foutaises] | Carlos D'Alessio | C Minor | 2 | 5A | 99 BPM | ||
Comprendo l'inganno, Archivio di Montecassino, Fondo musicale, 6d - 11/42a, 42b, 42c - Tre canzonette per chitarra francese | Mazzola, Alessandro Minci, Tania Di Giorgio | F Major | 1 | 7B | 120 BPM |