"To Treno Fevgi Stis Okto (The Train Leaves At Eight)" by Agnes Baltsa was released on January 1, 1991. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Jose Carreras & Friends" album is number 11 out of 18. On top of that, United States appears to be the country where this track was created. To Treno Fevgi Stis Okto (The Train Leaves At Eight) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of To Treno Fevgi Stis Okto (The Train Leaves At Eight) by Agnes Baltsa to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
María Santísima de Araceli | Alberto Iglesias | A Minor | 1 | 8A | 136 BPM | ||
Begin the Beguine | Magdalena Kozená, Ondrej Havelka & His Melody Makers | B♭ Major | 3 | 6B | 119 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Voi che sapete" - "Bravo! che bella voce!" | Wolfgang Amadeus Mozart, Agnes Baltsa, Lucia Popp, Barbara Hendricks, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 145 BPM | ||
Garífallo st'aftí (A carnation behind your ear) | Manos Hadjidakis, Agnes Baltsa, Athens Experimental Orchestra, Stavros Xarhakos, Kostas Papadopoulos | A Major | 4 | 11B | 138 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Meine Herrschaften, das Diner ist serviert! (Ivan, Orlofsky, Falke, Eisenstein) | Johann Strauss II, Agnes Baltsa, Cornelius Ilgen, Peter Seiffert, Wolfgang Brendel | C Major | 2 | 8B | 95 BPM | ||
Allegro Pour Harpe | Saint-Preux | C Major | 1 | 8B | 153 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine | D Minor | 0 | 7A | 137 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Suite jazz 1 & 2: la nave va | Alessandro Safina | E Minor | 4 | 9A | 99 BPM | ||
Malagueña | Fritz Kreisler, Isaac Albéniz, Laurent Korcia, Haruko Ueda | E Major | 2 | 12B | 120 BPM |