Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia's 'Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro)' came out on March 10, 2023. With Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 57 in the song's album "Puccini: Turandot". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) by Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 150 with a half-time of 75 テンポ and a double-time of 300 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act I: ... E soffitto e pareti | Giacomo Puccini, José Carreras, Anthony Laciura, Philharmonia Orchestra, Giuseppe Sinopoli | B Major | 1 | 1B | 135 BPM | ||
Winterreise, D911: Letzte Hoffnung | Franz Schubert, Wilhelm Müller, Jonas Kaufmann | E♭ Major | 0 | 5B | 99 BPM | ||
La Cenerentola / Act 2: "Un segreto d'importanza" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Major | 2 | 10B | 134 BPM | ||
Puccini: Turandot, Act 3: "Liù...bontà! Liù...dolcezza!" (Timur, Ping, Pong, Pang, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Michele Pertusi, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 0 | 2A | 68 BPM | ||
Akt I: Vom Bade kehrt der König heim | Richard Wagner, Jonas Kaufmann, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Manon / Act 3: "Je suis seul...Ah, fuyez, douce image" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | E♭ Major | 3 | 5B | 178 BPM | ||
Turandot / Act II: No, no, Principessa altera (Calaf, Altoum, Coro) | Giacomo Puccini, Plácido Domingo, Piero de Palma, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D♭ Major | 3 | 3B | 83 BPM | ||
Massenet: Werther, Act 3: "Traduire ! Ah ! Bien souvent mon rêve s'envole" - "Pourquoi me réveiller, ô souffle du Printemps ?" (Werther) | Jules Massenet, Roberto Alagna, London Symphony Orchestra, Antonio Pappano | G Minor | 1 | 6A | 111 BPM | ||
Verdi: Otello: Atto Secondo: Non ti crucciar | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
Puccini: Tosca, Act 1: "Mario..Mario..Mario" (Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | A♭ Major | 1 | 4B | 110 BPM |