Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations's 'Alcione, Acte III Scène 5: "Que vois-je ? De ses sens elle a perdu l’usage"' came out on September 24, 2021. The duration of Alcione, Acte III Scène 5: "Que vois-je ? De ses sens elle a perdu l’usage" is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Alcione, Acte III Scène 5: "Que vois-je ? De ses sens elle a perdu l’usage"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 24 out of 85. On top of that, Switzerland appears to be the country where this track was created. The popularity of Alcione, Acte III Scène 5: "Que vois-je ? De ses sens elle a perdu l’usage" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcione, Acte III Scène 5: "Que vois-je ? De ses sens elle a perdu l’usage" by Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations to be Vivace (lively and fast) because the track has a tempo of 168 テンポ, a half-time of 84テンポ, and a double-time of 336 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 3. Menuet I - Menuet II | Jean-Philippe Rameau, Jean Rondeau | F Major | 3 | 7B | 117 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Phaeton: Acte II, Chaconne | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | F Major | 2 | 7B | 130 BPM | ||
Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM |