Giovanni Battista Costanzi, Accademia Ottoboni, Marco Ceccato made "Sinfonia a violoncello solo in D Major, WD 551: I. Adagio assai" available on August 25, 2017. The duration of Sinfonia a violoncello solo in D Major, WD 551: I. Adagio assai is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Sinfonia a violoncello solo in D Major, WD 551: I. Adagio assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Accademia Ottoboni, Marco Ceccato's "Il violoncello del Cardinale" album is number 18 out of 29. On top of that, France appears to be the country where this track was created. In terms of popularity, Sinfonia a violoncello solo in D Major, WD 551: I. Adagio assai is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Sinfonia a violoncello solo in D Major, WD 551: I. Adagio assai by Giovanni Battista Costanzi, Accademia Ottoboni, Marco Ceccato to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata seconda: I. Andante | Giovanni Battista Costanzi, Chiara Zanisi, Giovanni Sollima | B Major | 0 | 1B | 71 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 0 | 2B | 80 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata for Violin & Cello No. 5 in C Minor: IV. Allegro | Nicola Porpora, Giovanni Battista Costanzi, Il Cantiere Delle Muse, Roberto Caravella | B Minor | 2 | 10A | 114 BPM | ||
Sinfonia in E-Flat Major for Cello & Basso continuo: III. Minuet | Giovanni Battista Costanzi, Giovanni Sollima, Arianna Art Ensemble | B Major | 2 | 1B | 152 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Violin Sonata in G Minor, HWV 364a: I. Larghetto | George Frideric Handel, Boris Begelman, Arsenale Sonoro | F♯ Minor | 1 | 11A | 116 BPM | ||
Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Trio Sonata in D Minor, Op. 3 No. 5: II. Allegro | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | F♯ Minor | 0 | 11A | 136 BPM |