"VI. Solo Cadenza" by Andrea Tarrodi, Peter Friis Johansson, Gothenburg Symphony Orchestra, Ryan Bancroft was released on November 4, 2022. With this song being about 5 minutes long, at 4:40, "VI. Solo Cadenza" by Andrea Tarrodi, Peter Friis Johansson, Gothenburg Symphony Orchestra, Ryan Bancroft is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Netzel, Sandström & Tarrodi: Piano Concertos". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Sweden. VI. Solo Cadenza is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With VI. Solo Cadenza by Andrea Tarrodi, Peter Friis Johansson, Gothenburg Symphony Orchestra, Ryan Bancroft having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Here's One (Arr. Kaufman for Violin and Piano) | William Grant Still, Randall Goosby, Zhu Wang | D♭ Minor | 1 | 12A | 84 BPM | ||
Rakastava, Op. 14: II. The Path of His Beloved. Allegretto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Symphony in Fire, Water, Earth & Air: IV. Air | Andrea Tarrodi, Nordic Chamber Orchestra, Joann Falletta | A Minor | 1 | 8A | 75 BPM | ||
6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin | Claude Debussy, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM |