"Rakastava, Op. 14: II. The Path of His Beloved. Allegretto" by Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki was released on February 2, 2024. The duration of Rakastava, Op. 14: II. The Path of His Beloved. Allegretto is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Rakastava, Op. 14: II. The Path of His Beloved. Allegretto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Sibelius: Karelia Suite, Rakastava & Lemminkäinen". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Rakastava, Op. 14: II. The Path of His Beloved. Allegretto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rakastava, Op. 14: II. The Path of His Beloved. Allegretto by Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki having a テンポ of 144 with a half-time of 72 テンポ and a double-time of 288 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Tuileries | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Major | 0 | 10B | 137 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM | ||
The Bragger | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Symphony No. 3, Op. 56, "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Tippett: Concerto for Double String Orchestra: I. Allegro con brio | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM |