Henry Purcell, Vox Orchester, Lorenzo Ghirlanda made "The Fairy Queen, Z. 629, Act I: Hornpipe" available on May 10, 2019. With The Fairy Queen, Z. 629, Act I: Hornpipe being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Purcell & Locke: Orchestral Works". In this album, this song's track order is #30. In terms of popularity, The Fairy Queen, Z. 629, Act I: Hornpipe is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Fairy Queen, Z. 629, Act I: Hornpipe by Henry Purcell, Vox Orchester, Lorenzo Ghirlanda having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave" | Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 120 BPM | ||
Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: I. Andante | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
The Indian Queen, Z. 630, Act IV: They Tell Us That Your Mighty Powers | Henry Purcell, The Sixteen, Harry Christophers, Kirsty Hopkins | A♭ Minor | 0 | 1A | 98 BPM | ||
Le bourgeois gentilhomme, LWV 43: Ouverture | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 4 | 4A | 114 BPM | ||
Airs for the Spring: Ranunculus: I. Aria: Moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 85 BPM | ||
Prima d’esservi infedele, H. 578: Aria. Prima d’esservi infedele | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | C Major | 2 | 8B | 82 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Airs for the Autumn: Marvel of Peru: III. Musette: Allegro moderato | James Oswald, The Broadside Band | F♯ Major | 1 | 2B | 72 BPM |