"Concerto in D Minor for Violin and Orchestra, Op. 47: III. Allegro ma non tanto" by State Symphony Capella of Russia, Ilya Grubert was released on December 13, 2011. Since Concerto in D Minor for Violin and Orchestra, Op. 47: III. Allegro ma non tanto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "The Best Romantic Era Violin Music". In this album, this song's track order is #20. In terms of popularity, Concerto in D Minor for Violin and Orchestra, Op. 47: III. Allegro ma non tanto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto in D Minor for Violin and Orchestra, Op. 47: III. Allegro ma non tanto by State Symphony Capella of Russia, Ilya Grubert having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Will Go, I Will Leave (Dance Song) | State Symphony Capella of Russia, Valery Polyansky | F Major | 2 | 7B | 114 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Why hast Thou Rejected Me | Lege Artis Chamber Choir, Boris Abalyan | E Major | 0 | 12B | 64 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Cheruvimskaja Piesn | St. Peter St. Paul Cathedral Choir of Minsk | A♭ Minor | 1 | 1A | 77 BPM | ||
Allegri: Miserere - 03. Tibi Soli Peccavi | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 77 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Arvo Pärt : O Adonaï | Unknown, Mikrokosmos | D♭ Major | 0 | 3B | 168 BPM |