Vogtland Philharmonic Orchestra Greiz-Reichenbach's 'This Is Berk / Coming Back Around (From "How to Train Your Dragon") [Arr. S. O'Loughlin]' came out on May 19, 2017. With this song being about 5 minutes long, at 5:15, "This Is Berk / Coming Back Around (From "How to Train Your Dragon") [Arr. S. O'Loughlin]" by Vogtland Philharmonic Orchestra Greiz-Reichenbach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 11 in Film Music: Sounds of Hollywood, Vol. 3 by Stefan Fraas, Vogtland Philharmonic Orchestra Greiz-Reichenbach. In terms of popularity, This Is Berk / Coming Back Around (From "How to Train Your Dragon") [Arr. S. O'Loughlin] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of This Is Berk / Coming Back Around (From "How to Train Your Dragon") [Arr. S. O'Loughlin] by Vogtland Philharmonic Orchestra Greiz-Reichenbach is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Second Suite In F For Military Band: Song Without Words | United States Air Force Band | C Minor | 0 | 5A | 69 BPM | ||
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 2 | 9B | 90 BPM | ||
Satiric Dances: III. Allegro spumante | Norman Dello Joio, Rutgers Wind Ensemble, William Berz | C Minor | 4 | 5A | 150 BPM | ||
Toccata for Band | Frank Erickson, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz | G Major | 1 | 9B | 125 BPM | ||
Pirates of the Caribbean: Main Title Theme (arr. T. Ricketts) | Klaus Badelt, Ted Ricketts, Royal Liverpool Philharmonic Orchestra, Carl Davis | D Minor | 5 | 7A | 103 BPM | ||
Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | G Major | 3 | 9B | 135 BPM | ||
Prelude, Siciliano & Rondo: Prelude | Malcolm Arnold, The Trade Winds, Daniel Schmidt | B♭ Major | 1 | 6B | 124 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM |