"The Vanishing Bridegroom, Act I: The Inheritance, the Deathbed. There Was a Man" by Judith Weir, Stephen Jeffes, BBC Symphony Orchestra, Martyn Brabbins had its release date on September 2, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #1 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Vanishing Bridegroom, Act I: The Inheritance, the Deathbed. There Was a Man is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act I: The Inheritance, the Deathbed. There Was a Man by Judith Weir, Stephen Jeffes, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Vanishing Bridegroom, Act I: The Inheritance, the Deathbed. There Was a Man being at 59 テンポ, the half-time would be 30 テンポ with a double-time of 118 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in G Minor: I. Kyrie | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | D Minor | 0 | 7A | 88 BPM | ||
Choirs of Eternity | LeoRoads | B Minor | 2 | 10A | 80 BPM | ||
O vos omnes | Pablo Casals, Choir of Jesus College, Cambridge, Mark Williams | F Minor | 0 | 4A | 90 BPM | ||
Look Down, O Lord | Jonathan Seers, The Gesualdo Six, Owain Park | A♭ Minor | 1 | 1A | 86 BPM | ||
Pocket Poetry No. 1: IV. Miss You | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
The Armed Man (Ensemble Version): VI. Hymn Before Action | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM |