"Wie glänzt so hell" by Josephine Lang, Heidi Kommerell, Heike Hallaschka was released on January 1, 2002. The duration of Wie glänzt so hell is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Wie glänzt so hell's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josephine Lang, Heidi Kommerell, Heike Hallaschka's "Josephine Lang: Lieder" album is number 13 out of 20. On top of that, Germany appears to be the country where this track was created. Wie glänzt so hell is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wie glänzt so hell by Josephine Lang, Heidi Kommerell, Heike Hallaschka to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sich | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 0 | 8B | 177 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Rouse thee, my fainting soul | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Liebesliederwalzer, Op. 52: V. Die grüne Hopfenranke | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Stella Doufexis, Marlis Petersen, Christoph Berner, Camillo Radicke, Konrad Jarnot | A♭ Major | 1 | 4B | 140 BPM | ||
Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Andreas Schmidt, Cord Garben | D♭ Major | 0 | 3B | 62 BPM | ||
Wie glänzt so hell | Josephine Lang, Heidi Kommerell, Heike Hallaschka | D Major | 0 | 10B | 80 BPM | ||
Lieder (Duette), Op. 63: II. Abschiedslied der Zugvögel | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | E♭ Major | 1 | 5B | 167 BPM | ||
Schubert: Winterreise, Op. 89, D. 911: No. 15, Die Krähe | Franz Schubert, Joyce DiDonato, Yannick Nézet-Séguin | F Minor | 0 | 4A | 168 BPM | ||
An die Musik, D. 547 | Franz Schubert, Bernarda Fink, Gerold Huber | G Major | 2 | 9B | 133 BPM |