"Oratorio de Noël, Op. 12: No. 8 Alleluja" by Camille Saint-Saëns, Antonia Bourvé, Gundula Schneider, Sabine Czinczel, Jens Hamann, Romano Giefer, Les Favorites, Holger Speck was released on September 1, 2006. The duration of Oratorio de Noël, Op. 12: No. 8 Alleluja is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Oratorio de Noël, Op. 12: No. 8 Alleluja's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Saint-Saëns: Oratorio de Noël". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Oratorio de Noël, Op. 12: No. 8 Alleluja is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oratorio de Noël, Op. 12: No. 8 Alleluja by Camille Saint-Saëns, Antonia Bourvé, Gundula Schneider, Sabine Czinczel, Jens Hamann, Romano Giefer, Les Favorites, Holger Speck having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 2 | 9B | 90 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Praeludium and Allegro | Fritz Kreisler, Joshua Bell, Paul Coker | E Minor | 2 | 9A | 103 BPM | ||
Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM | ||
Piazzolla: Oblivion, tango | Astor Piazzolla, Julian Lloyd Webber | D Minor | 0 | 7A | 81 BPM | ||
8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 2, Allegro con moto | Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin | B Minor | 1 | 10A | 102 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |