"Piazzolla: Oblivion, tango" by Astor Piazzolla, Julian Lloyd Webber was released on June 19, 2006. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Unexpected Songs". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Piazzolla: Oblivion, tango is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla: Oblivion, tango by Astor Piazzolla, Julian Lloyd Webber having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rota / Arr. Capelletti & Lenaerts: Romeo and Juliet: Love Theme | Nino Rota, Anneleen Lenaerts, Adrien Perruchon, Brussels Philharmonic | E♭ Major | 0 | 5B | 125 BPM | ||
4 Romantic Pieces, B.150: I. Allegro moderato | Antonín Dvořák, Tamsin Waley-Cohen, Huw Watkins | B♭ Major | 0 | 6B | 97 BPM | ||
Aspects of Love: Love Changes Everything | Julian Lloyd Webber, David Cullen, Barbara Thompson, Jon Hiseman, Royal Philharmonic Orchestra, Barry Wordsworth | D Major | 3 | 10B | 88 BPM | ||
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Notre envol, Duo for Piano & Violin | Raphaël Novarina, Anastasiia mazurok, Emiko Edwards | C Minor | 2 | 5A | 173 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
María De Buenos Aires: Yo soy María (Arr. for Violin and Piano) | Astor Piazzolla, María Dueñas, Itamar Golan | G Minor | 4 | 6A | 81 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM |