"Leroy Kyrie" by John Taverner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson was released on January 11, 2010. With this song being about 5 minutes long, at 5:09, "Leroy Kyrie" by John Taverner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Taverner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson's "John Taverner: Sacred Choral Music" album is number 2 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Leroy Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leroy Kyrie by John Taverner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
Alma Redemptoris Mater | Hildegard von Bingen, Sequentia, Barbara Thornton | F Major | 1 | 7B | 80 BPM | ||
Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
Taverner: Western Wind Mass - 3a. Sanctus | John Taverner, Peter Phillips, The Tallis Scholars | E Minor | 1 | 9A | 91 BPM | ||
Palestrina: Sicut Lilium Inter Spinas 1 | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 79 BPM | ||
Antiphon Caritas habundant in omnia | Hildegard von Bingen, Anonymous 4 | F Minor | 0 | 4A | 125 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM |