"The Crystal Lake" by Elinor Remick Warren, Polish Radio and Television Orchestra, Szymon Kawalla was released on January 1, 1989. Since The Crystal Lake is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Warren, E.R.: Good Morning, America! / Suite for Orchestra / the Crystal Lake / Along the Western Shore by Elinor Remick Warren, Efrem Zimbalist, Sr., Szymon Kawalla. The song's track number on the album is #5 out of 10 tracks. In terms of popularity, The Crystal Lake is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Crystal Lake by Elinor Remick Warren, Polish Radio and Television Orchestra, Szymon Kawalla has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Crystal Lake being at 107 テンポ, the half-time would be 54 テンポ with a double-time of 214 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Orchestra: II. Andante molto tranquillo (Cloud Peaks) | Elinor Remick Warren, Oslo Philharmonic Orchestra, William Strickland | A♭ Major | 1 | 4B | 86 BPM | ||
Giochi Innocenti | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 77 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Michael Tilson Thomas, New York Philharmonic | F Major | 1 | 7B | 67 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
交響曲 第31番 「パリ」 K.297~第2楽章 | リボル・ペシェック, Czech National Symphony Orchestra | D Major | 0 | 10B | 104 BPM | ||
Divertimento in F for String Ensemble, K.138: ii. Andante | Mozart, English Chamber Orchestra, David Blum | E♭ Major | 0 | 5B | 138 BPM | ||
Overture in D Major, Op. 8, No. 6: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 149 BPM | ||
La forza del destino, Act III, Scene I: Attenti al gioco, attenti | Giuseppe Verdi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | F Major | 0 | 7B | 172 BPM | ||
Theme and Variations in F Major, Op. 97: Theme | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | A Major | 1 | 11B | 144 BPM | ||
Symphony No. 36 in C Major, K. 425, "Linz": IV. Presto | Wolfgang Amadeus Mozart, Saarbrücken Radio Symphony Orchestra, Hans Zender | E Minor | 1 | 9A | 112 BPM |