"Stabat Mater (Plainsong)" by James MacMillan, The Sixteen, Harry Christophers, Britten Sinfonia was released on March 3, 2017. With this song being about 5 minutes long, at 4:56, "Stabat Mater (Plainsong)" by James MacMillan, The Sixteen, Harry Christophers, Britten Sinfonia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in James MacMillan, Britten Sinfonia, The Sixteen, Harry Christophers's "James MacMillan: Stabat Mater" album is number 1 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Stabat Mater (Plainsong)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater (Plainsong) by James MacMillan, The Sixteen, Harry Christophers, Britten Sinfonia to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: I. Introit and Kyrie | Michael John Trotta, London Symphony Orchestra, London Voices | G Major | 2 | 9B | 72 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 54, O Sacred Head Surrounded by Crown of Piercing Thorn! [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | A Minor | 1 | 8A | 162 BPM | ||
Christus vincit | James MacMillan, Cantillation, Antony Walker | D Major | 1 | 10B | 60 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Kyrie - Missa Brevis | James MacMillan, Chamber Choir of London, Dominic Ellis-Peckham | G Minor | 1 | 6A | 116 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM | ||
Son of God Mass: Kyrie meditation | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | G Minor | 1 | 6A | 126 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 145 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM |